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feat. Haydn, Beethoven, Brahms, Mozart & Ligeti
The Cadenza: a flourish, improvised if it's being done properly, which is inserted into the final cadence of a vocal aria or instrumental piece.
Or, to put it really in layman's terms, the show-off bit towards the end of an aria or concerto movement where everybody else stops playing and the soloist gets to wow the audience with their virtuosic wizardry. We begin with Haydn's first Cello Concerto, and whilst since the late eighteenth century it's become increasingly normal for the composer or someone else to supply a written out cadenza for their concerto, Haydn writing in the 1760s would have been fully expected his soloist to improvise their own. As a result, this work has come down to us without a first movement cadenza, meaning our soloist on this recording, Rostropovich, plays a subtly modern cadenza written for it in the 1960s by his friend Benjamin Britten.
Next comes a bit of twist on the theme: Bertrand Chamayou as piano soloist in Beethoven's Choral Fantasy, because the extended piano solo before everyone else joins in sounds very much like one long cadenza, just at the beginning rather than the end. Cadenzas supplied by famous soloists are celebrated next, with Janine Jansen playing Brahms's Violin Concerto using the widely-used first movement cadenza written by the work's dedicatee, Hungarian violinist Joseph Joachim. Then it's back to the days of improvised cadenzas for a soprano aria from Mozart's opera, The Marriage of Figaro, “Deh vieni, non tadar” sung by Patrizia Ciofi.
We close with Ligeti's Violin Concerto of 1992. Like Brahms, Ligeti didn't supply a cadenza of his own, so the one Augustin Hadelich is playing on this recording is the very recent one provided by the British composer Thomas Adès.
An introduction to Haydn — Cello Concerto No. 1 in C major Hob. VIIb:1
Cello Concerto No. 1 in C major Hob. VIIb:1 Preview Only
Joseph HaydnMstislaw Rostropowitsch, Academy of St. Martin in the Fields — 1976
An introduction to Beethoven — Fantasie für Klavier, Chor und Orchester in c minor op. 80
Fantasie für Klavier, Chor und Orchester in c minor op. 80 Preview Only
Ludwig van BeethovenBertrand Chamayou, Sandrine Piau, Kristina Vahrenkamp, Anaïk Morel, Stanislas de Barbeyrac, Jean-François Chiama, Florian Sempey, Chœur de Chambre Accentus, Marc Korovitch, Insula Orchestra, Laurence Equilbey — 2017
An introduction to Brahms — Violin Concerto in D major op. 77
Violin Concerto in D major op. 77 Preview Only
Johannes BrahmsJanine Jansen, London Symphony Orchestra, Sir Antonio Pappano — 2015
An introduction to Mozart — Le nozze di Figaro KV 492 - Giunse alfin il momento
Le nozze di Figaro KV 492 - Giunse alfin il momento Preview Only
Wolfgang Amadeus MozartVéronique Gens, Patrizia Ciofi, Angelika Kirchschlager, Lorenzo Regazzo, Simon Keenlyside, Antonio Abete, Kobie van Rensburg, Nuria Rial, Marie McLaughlin, Elisabeth Rapp, Yeree Suh, Collegium Vocale Gent, Concerto Köln, René Jacobs
An introduction to Ligeti — Violin Concerto
Violin Concerto Preview Only
György LigetiAugustin Hadelich, Norwegian Radio Orchestra, Miguel Harth-Bedova — 2018